Film Analysis
On how a film is made and what it says, going beyond box office narratives.
Two decades behind the lens, the focus puller they call Venkat Alexa knows exactly what the format frenzy is buying.
Deccan Herald · 19 June 2026
In Anuj Sharma’s Chhattisgarhi films, dialect is not merely speech. It is memory and belonging
Millennium Post · 24 May 2026
A dying moneylender becomes the center of a village’s greed. Beneath the scramble for gold lies a quieter story
Millennium Post · 20 March 2026
In contemporary India, the difference between history and mythology is packaging
Millennium Post · 10 March 2026
Violence is not merely committed. It’s administratively managed through selective sight
Millennium Post · 1 March 2026
A tightened corset, repeated dialogue, colours that discipline rather than decorate
Millennium Post · 18 February 2026
A defunct cinema hall turned into an architecture of control
Millennium Post · 11 February 2026
It makes you feel slightly uneasy for a long time and then, without announcing anything, it suddenly sits down
Millennium Post · 2 February 2026
How cinema has engaged with Gandhi through tone, hesitation and presence
Millennium Post · 28 January 2026
The film trusts the viewer to notice shifts without being guided toward them
Millennium Post · 25 January 2026
On how cinema dresses up uncomfortable truths in festivity
Free Press Journal · 8 March 2026
How Assi portrays rape as a system rather than a crime in silo
Free Press Journal · 1 March 2026
How O Romeo rewrites the gangster through licensed masculinity
Free Press Journal · 22 February 2026
The layered character of Vashusen in Mayasabha
Free Press Journal · 15 February 2026
What Aandhi, Vishwaroopam and The Voice of Hind Rajab tell us about cinema’s oldest struggle
Deccan Herald · 17 April 2026